Steve Neale - "genres are instances of repetition and difference" - 1980, aged 48
- "difference is absolutely essential to the economy of genre" - 1980
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Tzvetan Todorov - "any instance of a genre will be necessarily different" - Cited from Gledhill 1985, aged 60
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Lacey - "repertoire is elements' that work together to suggest genre and that these are a useful framework to use for analysis"
setting
character
Narrative
Iconography
style
But Lacey did not see genres as fixed but as dynamic and changing over time.
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Gledhill - There are no "rigid rules of inclusion and exclusion" - 1985
- "Genre … are not discrete systems, consisting of a fixed number of listable items"
Chandler - It is difficult to make clear cut distinction between on genre and another: genres overlap, and there are "mixed genres" such as comedy thrillers - 2000
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Advert Genres
Realistic
Non-realistic
Animation
Talking Heads
Documentary
Series
Surreal
Humorous
Dramatic
Parody
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Music Video Genre
Performance
Narrative Based
Concept Base
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Burton's Six Elements
Burton suggests that each text in a given genre shares particular key elements to make up the generic formula, these include:
Protagonists
Stock Characters
Plots and Stock Situations
Icons
Background and Décor
Themes
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Baudrillard - media represent reality and in doing so make it more visual and fun. This simulation leads to a position of hyperreality when the media starts to base representations on its own representations. ----------------------------------------------------------------------------------------------------------------------------------
Henry Jenkins
Spectatorial
Participatorial
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First para - what product i am going to talk about - Film opening
The product which I am going to be relating to in regards to genre would be my short film opening. The genre of my film opening was Horror which allowed me to be considerably diverse with the narrative of the product which also allowed it to appear unique. Steve Neale stated in 1980, aged 48 that "genres are instances of repetition and difference" and also explained that "difference is absolutely essential to the economy of genre". This implies that products within particular genres, products have to be similar in order to allow audiences to have an idea of what to expect and to get an indication on whether they will like it or not. However, it also suggests that there still needs to be differences in order for variation and to allow the audience to actually enjoy different products of a particular genre as they all won't be identical.
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Effects THeory
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Hypodermic Needle Model
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Two-Step Flow theory Model
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Uses and Gratifications
1960s -audiences made choices about what they did when consuming texts . Not being a passive mass, consume in different reasons and ways
surveillance correlation entertainment cultural transmission
For following purposes
Diversion - escape from everyday problems and routine
Personal relationships - using the media for emotional and other interaction
personal identity - finding yourself reflected in texts, learning behaviours and values from texts
surveillance - information which could be useful for living/learning.g weather reports, financial news and holiday bargains
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Reception Theory
Stuart Halls encoding and decoding model of the relationship between text and audience
1980 and 90
the way individuals received and interpreted text and how their individual circumstances (gender, class, age, ethnicity) affected their reading.
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Narrative Theory
Meaning - Roland Barthes - texts me be open, unravelled in different ways, or closed. He also decide4ed that the threads that you pull on try and unravel meaning ate called narrative codes
Structure - Tvzetan Todorov - Texts are constructed around the basis scaffolding of equilibrium, disequilibrim, new equilibrium
Character - Vladimir Propp - produced a character typography of characters and their actions
Conflict and resolution - Claud Levi-Straus - recognised the constant creation of conflict/opposition propels narrative. Narrative can on end on a resolution of conflict.
Binary oppositions
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Stan Cohen - folk devils - group of people who are a threat to society
moral panic - leads from deviant behaviour
Deviance amplification - one deviant act initiates a spiral, more is reported
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Gerbner - mean world syndrome - cultivation theory - people who consume a lot of media, specifically TV, overestimate the amount of crime/issues in the real world.
Any one text has minimal impact on the audience but repetitiveness (drip drip) will effect the audience.
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David Buckingham - focus on identity requires us to pay close attention to the diverse ways in which media and technologies are used in everyday life, and their consequences for both individuals and for social groups.
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Demonisation of youths
Gramski - Society is run by the ruling elite to make sure they keep their position.
Media is run by a small group who wish to maintain their position and status
hegemony - dominant ideology
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News - people believe it is a reflective representation, no time for background story
Live TV - is not controllable or editable - or is it
social media can be used in both good and bad lights
people have the opportunity to challenge authority
power
Steve Anderson - younger people are becoming a lot more empowered because of social media platforms such as Facebook, twitter and blogging.
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Signifier - Denotation - Codes and conventions
Signified - Connotation - this is not fixed and can change with time or society or culture.
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Fiske - 1982 - "denotation is what is filmed, connotation is how its filmed. --------------------------------------------------------------------------------------------------------------------------------
Saussure - 1983 - " Audience can look at a media text from a syntactic point of view, just describing what they see, or from a representational or symbolic point of view where the attribute meaning to what they see.
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Barthes - 1967 - an audiences' understanding of media texts comes from their understanding and knowledge of frequently told myths or stories. He argues that the organisation of signs encodes particular messages and ideologies.
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Chandler - 2005 - says that the semiotics is important because it helps us not take reality for granted as something that can exist without human interpretation.
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Stuart Hall - argued that meaning is not fixed by the producer, and the audience is not passive, gave us different readings, the preferred reading is where the audience reads it the way that you wanted them too.
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